An instrumentalist's role in the annual Christmas celebration
Belmont University’s “Christmas at Belmont: Live From Nashville” isn’t just a holiday tradition — it’s a testament to Belmont’s dedication to musical excellence. For junior bassoonist and music therapy major Emily Okamura, it’s an honor to be part of a production that showcases the renowned talent and professionalism at Belmont.
As a lifelong bassoonist who has played since fifth grade, Okamura was naturally drawn to Belmont’s music therapy program. At Belmont, she has found numerous opportunities to continue refining her craft.
“As a bassoonist, I’ve had so many opportunities,” explained Okamura. “I’ve played for operas, symphony orchestra, wind ensemble, as well as senior recitals. And the professors are great.”
Adjunct Bassoon instructor Dong-Yun Shankle has been fundamental to Okamura’s growth. “I always know that she’ll be there to support me. She also knows when to push me and where my limits are,” said Okamura. “The amount I’ve grown as a bassoonist is crazy, and it’s all thanks to her.”
“Christmas at Belmont” is unlike any concert put on by CMPA. “It’s very different because the production value is so intense,” described Okamura. “You’re essentially doing a professional gig. What’s so cool about ‘Christmas at Belmont’ is that you get to see every ensemble. You’re getting the best of the best from the School of Music.”
Okamura is one of more than 600 students participating in “Christmas at Belmont.” This year marks her third performance in the show, and she is excited to play in front of a globally streamed audience as a member of Belmont’s symphony orchestra, performing songs like “Angel’s Dance” by Steve Amundson, and an arrangement of “I’ll Be Home For Christmas” by Cody Fry, a Grammy-nominated alumni joining as a guest performer.
“It is such an amazing opportunity to perform alongside Cody Fry, and the fact that he is an alum just further shows the caliber of Belmont’s School of Music,” said Okamura.
Okamura sees valuable parallels between performing in "Christmas at Belmont" and her music therapy studies. The show requires her to adapt her bassoon playing across diverse musical styles while performing with the symphony orchestra and accompanying various ensembles. This versatility, she notes, directly translates to music therapy, where practitioners must skillfully adjust their musical approach to meet each client's unique needs.
With “Christmas at Belmont” quickly approaching, Okamura is ready to showcase her skills. It's more than a performance; it’s a challenge that pushes her as a musician and prepares her for future opportunities.
Learn more about Christmas at Belmont: Live from Nashville